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- The transporter refueled movie for free free#
So why would he need to abandon it, and then blow it up whilst changing cars, surely the changing plates cover you.
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Although this entire notion makes no sense in itself because the first Audi he drives can change license plates at the push of a button, ala James Bond. The other just sits parked up in a multi-storey car park just waiting to be used.
Frank drives around in his top of the line Audi S8 D4, it never gets damaged.ever, and this time he has two apparently. Its actually quite amusing watching them trying to act and pose sexually at various times, very awkward.Īction, right well its pretty standard stuff really.
What's really funny is they are clearly suppose to be desirable sex objects, but they sooo aren't, not for me anyway. The ladies in question are a bland quartet also, they all look the same (attire and wigs don't help of course) and none of them can act too well either. Despite that he's pretty bloody useless, I've never know someone get kidnapped so easily and so quickly. A real slimy ladykiller of sorts who clearly knows the business his son is involved in, presumably used to do it himself, I think that was the gist.
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Plus I've not seen a man clench his jaw this much since Cruise and co in 'Top Gun', like wow! He is joined by Ray Stevenson who plays his father, a slick, womanising vintage wine drinker. He has an odd look though, his lips are pretty thick with an usually strong pink shade to them, either that or it was the films lighting, just something that stood out to me. Right first up, the new boy, Ed, apparently a British actor and rapper, never heard of him but he does have a Statham-esque appearance I suppose. That's the crux of it yet there are a few minor twists, nothing mind blowing though so don' get excited. Now Frank is forced to assist these women in bringing down a dangerous crime boss. Now normally this probably wouldn't be an issue for old Frank, but these women alter the deal and also kidnap his father in order to gain his cooperation. He takes on a job for a quartet of women, the lead female turns out to be an ex-prostitute out for revenge against her ex-pimp.
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So what are we left with now, well it appears to be a rather cheap and tacky looking reboot chock full of terrible action sequences, wait.yes I'm right.įrank is still a transporter of anything no questions asked. It seems Statham realised what a trashy mess this franchise was and decided to bail, probably a good decision there matey. Frank is back and ready to ansport things once again, only this time he's played by newcomer Ed Skrein. (Parts of the movie play like an Audi ad: Skrein mentions fingerprint recognition technology to a scrum of wannabe carjackers and later uses auto-driving mode so he can step out to fight some goons.Refueled (spelt wrong) because the franchise has been.refueled, refreshed, revitalised, rebooted.get it? clever huh (ahem!).
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SIGN UP for the free Indie Focus movies newsletter >Ĭheap silliness abounds, including car chases that are more about loud crashes and CGI than the thrill of speed. That may have been why Ray Stevenson was cast as this Transporter’s louche, retired-spy dad, who is kidnapped by a coterie of blond-wigged fashionista prostitutes of different national origins - diversity in casting! - to ensure the Transporter’s help in carrying out their revenge mission against Russian trafficking boss Yuri (Yuri Kolokolnikov). But Skrein exhibits none of Statham’s tough-guy magnetism when talking or waylaying Eastern European thugs. New guy Ed Skrein (“Game of Thrones”) is suitably ripped, and he hoarsely whispers the same rules that Statham’s black-tie mercenary did: any package delivered, no questions, no names, no deal changes. But this generic installment - produced and co-written by Besson and directed by one of his regular editors, Camille Delamarre - has all the appeal of somebody furiously waving a fashion spread in front of your eyes while droning in assorted accents. The original made a balletic bruiser of a star out of Jason Statham, and it enjoyably fused trashy European glitz with deliriously fun Hong Kong fight choreography.
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The fun’s been siphoned from a franchise tank with “The Transporter: Refueled,” a reboot of the Luc Besson-produced French Mediterranean-set series about a lone wolf driver-for-hire that spawned three movies from 2002 to 2008.
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